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DTSTART;TZID=America/Los_Angeles:20190508T160000
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SUMMARY:Shout to the Lord:  Making Worship Music in the Evangelical America
DESCRIPTION:How do people make worship music? What does it take to turn songs into worship and to turn worship into songs? This deep study of more than 75 leaders in Evangelical worship across America sheds light on the way that songwriters\, worship leaders\, and music industry professionals make music that can serve the needs of congregations around the world. \nAri Y Kelman is the inaugural holder of the Jim Joseph Professorship in Education and Jewish Studies in the Stanford Graduate School of Education\, where he also directs the Concentration in Education and Jewish Studies. He holds a courtesy appointment in Religious Studies\, and is a faculty affiliate of the Center for Comparative Studies in Race and Ethnicity\, the American Studies Program\, and the Taube Center for Jewish Studies. His scholarship investigates the ways that people learn to hold religious commitments\, and they have covered a range of topics from Evangelical worship music (Shout to the Lord Making Worship Music in Evangelical America (NYU Press)\, Yiddish Radio (Station Identification: A Cultural History of Yiddish Radio (UC Press) and congregational life (Sacred Strategies: Transforming Synagogues from Functional to Visionary). He is now working on projects that cover the educational dimensions of the church-school divide\, and an article on the Voyager Golden Record. \nEvent Flyer\n\nRSVP Below: \n\n[gravityform id=”77″ title=”false” description=”false”]
URL:https://religion.ucla.edu/event/shout-to-the-lord-making-worship-music-in-the-evangelical-america/
LOCATION:Royce 306
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DTSTART;TZID=America/Los_Angeles:20190514T190000
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DTSTAMP:20190430T155403Z
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SUMMARY:Restoring the Synagogue Soundtrack
DESCRIPTION:In this talk “Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack”\, Professor Judah Cohen of Indiana University explores the very creation of what we know today as “Jewish music.” There were no professional cantors in synagogues in early America. Choirs were non-existent. Synagogue practice mirrored that in European synagogues. But all that changed in 19th Century America. Why? Sharing insights from a book of the same name\, Cohen tells the story of the innovations and evolutions in Jewish musical developments of that period\, laying the foundation of the Jewish music we know today. UCLA student vocalists sing music of the period\, highlighting Cohen’s talk. \nProfessor Shari Rabin of the College of Charleston\, scholar of American religious history and the author of “Jews on the Frontier: Religion and Mobility in Nineteenth-Century America” will be the respondent. \nThis event is made possible by the Lowell Milken Fund for American Jewish Music at The UCLA Herb Alpert School of Music. It is co-sponsored by The UCLA Herb Alpert School of Music\, the Department of Ethnomusicology\, the UCLA Alan D. Leve Center for Jewish Studies and the Department of Musicology. \n  \nPlease RSVP at https://schoolofmusic.ucla.edu/event/restoring-the-synagogue-soundtrack/.
URL:https://religion.ucla.edu/event/restoring-the-synagogue-soundtrack/
LOCATION:Powell Library
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